Community Calendar

Making Art for a Lifetime: Paintings & Paperworks by Paul Moscatt and Carlene Moscatt featuring paintings and other works by each artist is open to the public daily from 1:00 p.m. - 4:00 p.m. from August 16- December 1, 2024 in the South Hall Gallery of the Broadmead Community Center. Parking is available for visitors in front of the Broadmead Community Center, 13801 York Road, Cockeysville, MD 21030. Guests are asked to check in at the reception desk upon arrival.

An opening reception to meet the artists will be held on September 22, 2024, from 2:00-4:00 p.m. in the South Hall Gallery of the Broadmead Community Center and is open to the public.

Making Art for a Lifetime: Paintings & Paperworks by Paul Moscatt and Carlene Moscatt featuring paintings and other works by each artist is open to the public daily from 1:00 p.m. - 4:00 p.m. from August 16- December 1, 2024 in the South Hall Gallery of the Broadmead Community Center. Parking is available for visitors in front of the Broadmead Community Center, 13801 York Road, Cockeysville, MD 21030. Guests are asked to check in at the reception desk upon arrival.

An opening reception to meet the artists will be held on September 22, 2024, from 2:00-4:00 p.m. in the South Hall Gallery of the Broadmead Community Center and is open to the public.

Making Art for a Lifetime: Paintings & Paperworks by Paul Moscatt and Carlene Moscatt featuring paintings and other works by each artist is open to the public daily from 1:00 p.m. - 4:00 p.m. from August 16- December 1, 2024 in the South Hall Gallery of the Broadmead Community Center. Parking is available for visitors in front of the Broadmead Community Center, 13801 York Road, Cockeysville, MD 21030. Guests are asked to check in at the reception desk upon arrival.

An opening reception to meet the artists will be held on September 22, 2024, from 2:00-4:00 p.m. in the South Hall Gallery of the Broadmead Community Center and is open to the public.

Making Art for a Lifetime: Paintings & Paperworks by Paul Moscatt and Carlene Moscatt featuring paintings and other works by each artist is open to the public daily from 1:00 p.m. - 4:00 p.m. from August 16- December 1, 2024 in the South Hall Gallery of the Broadmead Community Center. Parking is available for visitors in front of the Broadmead Community Center, 13801 York Road, Cockeysville, MD 21030. Guests are asked to check in at the reception desk upon arrival.

An opening reception to meet the artists will be held on September 22, 2024, from 2:00-4:00 p.m. in the South Hall Gallery of the Broadmead Community Center and is open to the public.

Teens are invited to the Walters Art Museum on Thursdays for Teen Lab, a space for teens to hang out, create art, and make friends. During this drop-in program, teens can participate in creative collaborative activities; explore different cultures through art; or simply socialize, complete homework, and check out our galleries. Teens can stop by anytime between 4–6 p.m. to join in. Ages 13–17.

Making Art for a Lifetime: Paintings & Paperworks by Paul Moscatt and Carlene Moscatt featuring paintings and other works by each artist is open to the public daily from 1:00 p.m. - 4:00 p.m. from August 16- December 1, 2024 in the South Hall Gallery of the Broadmead Community Center. Parking is available for visitors in front of the Broadmead Community Center, 13801 York Road, Cockeysville, MD 21030. Guests are asked to check in at the reception desk upon arrival.

An opening reception to meet the artists will be held on September 22, 2024, from 2:00-4:00 p.m. in the South Hall Gallery of the Broadmead Community Center and is open to the public.

Baltimore’s best art party returns this fall with an evening inspired by Preoccupied: Indigenizing the Museum. Enjoy a special amplified violin performance by Laura Ortman (White Mountain Apache), an artist, composer, and musician whose exhibition, Laura Ortman: Wood that Sings, is currently on view in the BMA’s Contemporary Wing. Learn the art of traditional wampum with artist Zach Cole and make your own wampum piece with handpicked shells. H3irloom Food Group will serve specialty cocktails and appetizers. Tickets to Art After Hours include late-night access to the galleries and one free food or cocktail item. This event is for adults ages 21 and older. Parking is limited; ridesharing is encouraged.

Making Art for a Lifetime: Paintings & Paperworks by Paul Moscatt and Carlene Moscatt featuring paintings and other works by each artist is open to the public daily from 1:00 p.m. - 4:00 p.m. from August 16- December 1, 2024 in the South Hall Gallery of the Broadmead Community Center. Parking is available for visitors in front of the Broadmead Community Center, 13801 York Road, Cockeysville, MD 21030. Guests are asked to check in at the reception desk upon arrival.

An opening reception to meet the artists will be held on September 22, 2024, from 2:00-4:00 p.m. in the South Hall Gallery of the Broadmead Community Center and is open to the public.

Liz Miller's performance art is a gathering, experienced at a site of interest. The sound art guides us through grounding ourselves, then gently walks us through the history of the site. The spectators are asked to connect to their own beliefs, spirit guides, ancestors as we set intentions in order to manifest equity on site. No religion guides these ceremonies except for what each spectator brings to it within their own hearts and minds. Our presence together ignites the space as a space for change. We carry the light from that initial event with us from that place to continue the work as living amends out in the world. Won’t you tune in to the cleansing and blessing of Market Center from the rooftop of Maryland Art Place?

LaToya Ruby Frazier’s award-winning installation is the first of a series of exhibitions presented as part of the BMA’s Turn Again to the Earth environmental initiative. The installation celebrates Baltimore’s community health workers during the rollout of the COVID-19 vaccine through a series of portraits and related narratives mounted on 18 socially distanced, stainless-steel IV poles. This powerful and deeply evocative artwork offers an alternative approach to monument-making that challenges us to consider the nature of how and who we honor.